There are lots of reviews of the Canon 7D Mark II that lean heavily into its specs, but that’s not what you’ll find here. I shoot photos and videos primarily to indulge my interests. It’s a hobby, and I make purchases largely based on emotion. These are the primary forces that drove me to buy this beefy camera.
After years of looking at images from other photographers, I found that always appreciated and desired the punchiness of photos shot with pro-level Canon DSLRs, Canon L-series lenses, and high-end Canon flashes. I wanted to use these creative tools myself, so I grabbed them. Continue reading Hands-on Review of the Canon 7D Mark II
The new Zoom F4 field recorder was recently announced, so I decided to share my initial thoughts on it. If you’re not familiar, it’s a portable digital audio recorder that can record 6 individual tracks and a stereo mix, and it features built-in time code, high-quality mic preamps, metal construction, and some nicely designed controls. At the time of publishing it sells for $650 USD, which is a good price for a recorder with these kinds of features. Continue reading First thoughts on the new Zoom F4 MultiTrack Field Recorder
Zoom just announced the new H4n Pro Handy Recorder, and I wanted to share my initial thoughts on it. The original Zoom H4n has been a popular choice for many, many years, so an update is important news and merits deep analysis.
The first thing you’ll notice about the new Zoom H4n Pro was how closely it resembles the original. The overall shape, as well as the buttons and controls all look very familiar. It’s clear that the significant changes to this device largely apply to what’s inside. Continue reading First thoughts on the new Zoom H4n Pro Recorder
A dear old friend recently sent me an email asking which mic I recommended using with the Zoom H5. It was an old roommate of mine who had played drums in my band. She continues to bang the drums professionally to this day. This person is also an excellent sound recordist, songwriter, guitarist, and several other awesome things.
Tascam recently announced the DR-701D field recorder, which, at first glance looks very much like the DR-70D. Indeed, the DR-701D shares the same overall look and many of the features of the DR-70D, but it also has a number of impressive abilities that set it apart.
A few years ago I shot a video for the Doritos “Crash the Superbowl” contest. If you’re not familiar, the idea is to produce an original 30-second Doritos commercial. The winning video gets aired during the Superbowl, and the person who makes it gets a million bucks.
The announcement of the Zoom F8 in early 2015 was big news. Finally, a field recorder existed that offered some of the same features found on professional models that cost three times as much. On one hand, it seemed like a revelation — but it also seemed fishy. How many corners were cut to get the price that low, and are the missing features going to cause you pain? Continue reading Should you buy the Zoom F8 field recorder?
When someone is speaking in front of your camera, you need specific microphones to clearly capture their voice. But what if you’re not trying to record the sound of someone’s voice? What if you’re shooting a serene nature scene with no dialog? How about footage of a busy city street? How do you sonically transport your audience into these settings? Do you use the same microphones that you would use capture dialog? Continue reading Hands-on Review of the Rode Stereo VideoMic Pro
I’ve been a Final Cut Pro user for a long time. It’s the only professional video editing software I’ve ever used. Even though it’s my tool of choice, I avoided upgrading to the new version for as long as I possibly could. Final Cut Pro X has been lingering in my subconscious ever since it was first introduced in 2011. I finally decided to jump in. Continue reading Using Final Cut Pro X for the first time, years later…