Audio Test: Tascam DR-70D vs. Zoom H4n vs. Tascam DR-40

I just completed an audio test of the Tascam DR-70D, comparing it with the Zoom H4n and the Tascam DR-40. The test features side-by-side comparisons of each recorder’s built-in microphones, and you also get to hear how they handle several popular microphone for video work: the Rode NTG-3, Rode NTG-2, Audio-Technica 4053B, and the Sennheiser G3 wireless system with the ME2 lav mic.

Continue reading Audio Test: Tascam DR-70D vs. Zoom H4n vs. Tascam DR-40

Tascam DR-70D Review + How It’s Useful in Video Production

If you want an audio recorder to use primarily in video productions, there are many options to choose from. But, if you narrow the list down to just budget-friendly audio recorders that were designed for DSLR cameras — the number of options gets much shorter. You’re pretty much picking between the Tascam DR-60D Mark II and the new Tascam DR-70D. I recently purchased the DR-70D, and I thought I’d share my thoughts on the unit in this post.

First and foremost, the form factor of the Tascam DR-70D is excellent. It’s compact, and the design makes it easy to mount it directly to your camera, or neatly slide into an audio bag. The DR-60D Mark II is a bit fatter and taller than the DR-70D. It wouldn’t fit comfortably into my audio bag, and I find it a bit too bulky to mount directly to my camera. The DR-60D is nice for what it is, but the form factor of the DR-70D is much more appealing to me.

Another drawback of the DR-60D is that it only has two XLR inputs. It also doesn’t have built-in microphones. In contrast, the DR-70D can record up to four individual tracks (and it has four XLR combo inputs), and it has built-in stereo microphones. Basically, all of the reservations I had about the DR-60D are not present in the DR-70D. It feels like it was made just for me. Continue reading Tascam DR-70D Review + How It’s Useful in Video Production

Zoom H5 Review + Why It’s Useful in Video Production

There are several budget-friendly audio recorders available that are capable machines for recording sound in video productions, and the Zoom H4n and the Tascam DR-40 stand out as popular favorites. The new Zoom H5 recently arrived on the scene, and I finally had the chance to use it. On paper, I was aware of the new features it offered video people before I ever touched the thing. When I used the H5 for an extended period, I discovered a few more things that make it more attractive for video production, and I found some things that could be improved as well.

For starters, the most obvious thing that sets the Zoom H5 apart from the pack is its interchangeable microphone module port Continue reading Zoom H5 Review + Why It’s Useful in Video Production