There are lots of reviews of the Canon 7D Mark II that lean heavily into its specs, but that’s not what you’ll find here. I shoot photos and videos primarily to indulge my interests. It’s a hobby, and I make purchases largely based on emotion. These are the primary forces that drove me to buy this beefy camera.
After years of looking at images from other photographers, I found that always appreciated and desired the punchiness of photos shot with pro-level Canon DSLRs, Canon L-series lenses, and high-end Canon flashes. I wanted to use these creative tools myself, so I grabbed them. Continue reading Hands-on Review of the Canon 7D Mark II
When Steve Jobs introduced the original iPhone in 2007, he unveiled several major innovations — but the multitouch interface was by far the most important. It redefined the possibilities of mobile tech. Seven years later, Amazon debuted a product that may have an equally impressive input innovation. However, instead of being a sleek handheld gadget, it was a stark, voice-activated speaker.
When someone is speaking in front of your camera, you need specific microphones to clearly capture their voice. But what if you’re not trying to record the sound of someone’s voice? What if you’re shooting a serene nature scene with no dialog? How about footage of a busy city street? How do you sonically transport your audience into these settings? Do you use the same microphones that you would use capture dialog? Continue reading Hands-on Review of the Rode Stereo VideoMic Pro
I’ve been a Final Cut Pro user for a long time. It’s the only professional video editing software I’ve ever used. Even though it’s my tool of choice, I avoided upgrading to the new version for as long as I possibly could. Final Cut Pro X has been lingering in my subconscious ever since it was first introduced in 2011. I finally decided to jump in. Continue reading Using Final Cut Pro X for the first time, years later…
If you want an audio recorder to use primarily in video productions, there are many options to choose from. But, if you narrow the list down to just budget-friendly audio recorders that were designed for DSLR cameras — the number of options gets much shorter. You’re pretty much picking between the Tascam DR-60D Mark II and the new Tascam DR-70D. I recently purchased the DR-70D, and I thought I’d share my thoughts on the unit in this post.
First and foremost, the form factor of the Tascam DR-70D is excellent. It’s compact, and the design makes it easy to mount it directly to your camera, or neatly slide into an audio bag. The DR-60D Mark II is a bit fatter and taller than the DR-70D. It wouldn’t fit comfortably into my audio bag, and I find it a bit too bulky to mount directly to my camera. The DR-60D is nice for what it is, but the form factor of the DR-70D is much more appealing to me.
Another drawback of the DR-60D is that it only has two XLR inputs. It also doesn’t have built-in microphones. In contrast, the DR-70D can record up to four individual tracks (and it has four XLR combo inputs), and it has built-in stereo microphones. Basically, all of the reservations I had about the DR-60D are not present in the DR-70D. It feels like it was made just for me. Continue reading Tascam DR-70D Review + How It’s Useful in Video Production