A dear old friend recently sent me an email asking which mic I recommended using with the Zoom H5. It was an old roommate of mine who had played drums in my band. She continues to bang the drums professionally to this day. This person is also an excellent sound recordist, songwriter, guitarist, and several other awesome things.
Tascam recently announced the DR-701D field recorder, which, at first glance looks very much like the DR-70D. Indeed, the DR-701D shares the same overall look and many of the features of the DR-70D, but it also has a number of impressive abilities that set it apart.
It’s already happening. Your family and friends are asking what gifts you want for the holidays, and you’re not answering. You’re blowing it. Do yourself a big favor and supply them with solid suggestions for actual gifts you would like to receive. How? By referring to this guide. That’s it! You’re almost done. Do it…
A few years ago I shot a video for the Doritos “Crash the Superbowl” contest. If you’re not familiar, the idea is to produce an original 30-second Doritos commercial. The winning video gets aired during the Superbowl, and the person who makes it gets a million bucks.
The announcement of the Zoom F8 in early 2015 was big news. Finally, a field recorder existed that offered some of the same features found on professional models that cost three times as much. On one hand, it seemed like a revelation — but it also seemed fishy. How many corners were cut to get the price that low, and are the missing features going to cause you pain? Continue reading Should you buy the Zoom F8 field recorder?
On a recent trip to Washington D.C., I somewhat randomly decided to peek my head into the National Museum of American History. A few seconds after stepping into the lobby I realized it was going to be a highlight of the trip. I was standing face to face with the legendary General Motors EV1, the first mass produced (yet extremely rare) electric vehicle. Continue reading Face to Face with the General Motors EV1
When someone is speaking in front of your camera, you need specific microphones to clearly capture their voice. But what if you’re not trying to record the sound of someone’s voice? What if you’re shooting a serene nature scene with no dialog? How about footage of a busy city street? How do you sonically transport your audience into these settings? Do you use the same microphones that you would use capture dialog? Continue reading Hands-on Review of the Rode Stereo VideoMic Pro